PRE ORDER: Genesis Báez 'Blue Sun'
Katherine Hubbard selected as 2024 Guggenheim Fellow
Katherine Hubbard The great room opens at Company Gallery
John Edmonds at Art Basel Miami Beach
FRIEZE reviews Tuesday or September of The End
TIME names "Hello Future" one of their 20 Best Photobooks of 2021
Hello Future shortlisted for Aperture-Paris Photo Photobook of the Year 2021
Tuesday or September of The End Reading with The Poetry Project
The Städelschule hosts Tiona Nekkia McClodden Lecture, featuring works from Se Te Subió El Santo
The New York Times reviews John Edmonds’ solo exhibition at the Brooklyn Museum
Tiona Nekkia McClodden wins Bucksbaum Award - 2019 Whitney Biennial
The Paris Review profiles John Edmonds
THEM reviews Truant: Photographs, 1970–1979
Women’s Wear Daily celebrates TOM launch
Electronic Arts Intermix & Capricious host Ellen Cantor: “I’m Still Coming” Coming To Power 2016 & 1996 release event at the New York Art Book Fair 2017
Humble Arts Foundation interviews Caitlin Teal Price in celebration of her Stranger Lives release
Dazed Digital features Hustlers and Discharge
Dazed Digital reviews Hustlers
MoMA and Girls Against God host afternoon of Performance hosted by Vaginal Davis
Dazed Digital interviews Skye Parrott and features artworks from First Love, Last Rites
Forthcoming 2025: Roberto Tondopó
Genesis Báez featured in group show 'Trust Me' at Whitney Museum
Sasha Phyars Burgess selected as 2023 Guggenheim Fellow
Jonathan Lyndon Chase, FOG at Company Gallery
Bomb Magazine Interviews Hannah Black
ARTnews names Hello Future on their “Best Art Books of 2021” list
Cultured Magazine features Hello Future “Fall's Best Art Books Present Art History Fresh Off the Presses”
British Journal of Photography reviews Hello Future
The Brooklyn Rail reviews wild wild Wild West / Haunting of the Seahorse
ARTnews hosts panel Picturing Herstory: Queer Artists on Lesbian Visibility
The New York Times highlights works from Quiet Storm
Elephant Magazine reviews Truant: Photographs, 1970–1979
ArtForum features TOM release
Hyperallergic reviews Shade The King
The Heavy Collective interviews Caitlin Teal Pricee
i-D features Caitlin Teal Price
Discharge book signing at The Standard Miami
Vogue interviews Petra Collins
Randy presents Sunday Session at PS1 MoMA featuring performances by Niv Acosta, boychild, Colin Self, a reading by Jess Arndt and animation by Meriem Bennani.
"I Have A Room With Everything" profiled in The New Yorker
ArtReview features Farah Al Qasimi solo show, Toy World
NEW: a slight cast down at the edges of the lips by Katherine Hubbard
Cultured Magazine includes Tuesday or September or The End for their “12 Books That Captivated the Art World This Year”
The Paris Review reviews Tuesday or September of The End by Hannah Black
Tuesday or September of The End Release
Untitled by Sasha Phyars Burgess wins Aperture-Paris Photo Photobook of the Year 2021
The Washington Post reviews exhibition featuring Stranger Lives by Caitlin Teal Price
British Journal of Photography reviews Untitled
The Guardian features Untitled
Artnet highlights John Edmonds’ contribution to the 2019 Whitney Biennial, including images from Higher
Paper Magazine features Higher
Dazed Digital features works from Quiet Storm
The Cut reviews Sylvia Prada's TOM
Lambda Literary reviews Mucus in My Pineal Gland
Out Magazine announces and reviews Mucus in My Pineal Gland, featuring interview excerpts
The Kitchen hosts reading of Say Bye to Reason and Hi to Everything
Advocate reviews Hustlers and features artworks
The CUT interviews Petra Collins
